“Chamberlain is the only sculptor really using color, the full range, not just metallic shades; his color is as particular, complex and structural as any good painter’s.” Donald Judd, 19621
Between 1963 and 1965, John Chamberlain made several paintings using successive layers of transparent lacquer and reflective flake, including a group of eight measuring four by four feet. To this surface, he then attached two right-angled metal bars. Of particular interest to Chamberlain was the multitude of optical effects produced by these works.
First exhibited at Leo Castelli Gallery in January 1965, Judd purchased six of the eight paintings, initially installing the works on the fourth floor of 101 Spring Street. Judd installed the paintings positioned as a square, though, per Chamberlain, they could also be rotated and installed at forty-five degrees.
In 1990, Judd acquired the Glascock Building in Marfa, a two-story building located in the historic district of downtown Marfa, which he designated as his Architecture Office. He used the ground floor as the office and the second floor as guest housing, in which he installed the paintings by Chamberlain, furniture by Alvar Aalto, and furniture of his own design. For Judd, the making and viewing of art were coextensive with the other activities of living. By placing Aalto furniture and Chamberlain paintings together, Judd created what was for him a natural setting for viewing art.