Index of Works

“The installation and context for the art being done now is poor and unsuitable. The correction is a permanent installation of a good portion of the work of each of the best artists. After the work itself, my effort for some eighteen years, beginning in a loft on Nineteenth Street in New York, has been to permanently install as much work as possible, as well as to install some by other artists. The main reason for this is to be able to live with the work and think about it, and also to see the work placed as it should be. The installations provide a considered, unhurried measure by which to judge hurried installations of my own and others in unfamiliar and often unsuitable places. This effort seems obvious to me, but few artists do it, though there is a tendency to keep earlier work, and the idea of a permanent installation is nearly unknown to the public for visual art.” –Donald Judd, ‘On Installation,’ 1982

The spaces of Judd Foundation in New York and Texas remain installed as intended by Judd. The Index of Works provides access to the works of art in his living and working spaces.

Showing all 146
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Nude Man Seated Before a Curtain, 1646
Student at a Table by Candlelight, c. 1642
Ledikant or The French Bed, 1646
Chitón from Los Caprichos, 1885 (published 1799)
Mala Noche from Los Caprichos
Porque Esconderlos? from Los Caprichos, 1886
Le Salon de 1857
c. 1920
c. 1920
Auweise, 1920
Komposition, 1923
Multiple Femme V, 1956
Diagonal Komposition im Quadvert II, 1927
Nu assis, le torse appuyé sur les genoux, 1929
Nu allonge, jambes replies, 1929
Abstract Painting, Red, 1952
Abstract Painting, 1960
Detail Study for Cliché, 1957
Study for Homage to the Square: Early Afternoon, 1963
Naples Yellow Front, 1958
Homage to the Square, 1958
Midnight + Noon III, from Midnight + Noon, 1964
Midnight + Noon VI, from Midnight + Noon, 1964
ICON III (BLOOD) (THE BLOOD OF A MARTYR), 1962
Mr. Press, 1961
2063 AD, 1963
Soft Ceiling Lights at La Coupole, 1964-1972
Red Sausages, 1961
Mickey Mouse, 1963
no title / 101 Spring Street, 1970
Study for River of Ponds III, 1971
Gur II, 1967
Manifest Destiny, 1986
Study for Leo Castelli, 1963
Lux at the Merritt Jones, 1962
Untitled, 1970
In Advance of the Broken Arm, 1964
Box #48, 1966
Canto XVII from 18 Cantos, 1964
Note II from Notes, 1968
Presenza Bicroma, 1969
alternate diagonals of March 2, 1964 (to Don Judd), 1964
Untitled, 1974
ICON I THE HEART ICON III THE MYSTERY, 1962
ICON VI (IRELAND DYING) (TO LOUIS SULLIVAN), 1962–1963
ICON VI 1962–1963 (TO LOUIS SULLIVAN), 1964
form #1 of December 19, 1963 (in pink), 1964
an isosceles triangle, 1964
(cool white and daylight) from no. 5 of March 2, 1964, 1964
extension of nominal 3 (to William of Ockham), 1964
a right angle triangle, 1964
a right angle triangle, 1964
from proposition three of diagram one for May 15, 1964, 1964
from proposition two of diagram one for May 15, 1964, 1964
variations on a theme of June 1, 1964
untitled, 1970
(to Don Judd, colorist) 5, 1987
Untitled, 1956
Untitled, 1956
Untitled, 1956
Untitled, 1956
Untitled, 1956
Untitled, 1956
Untitled, 1957
Untitled, 1957
Untitled, 1958
Untitled, 1958
Untitled, 1961
Untitled, 1974
Untitled, 1958
Untitled, 1960
Untitled, 1961
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Untitled, 1963
Untitled, 1963
Untitled, 1963
Untitled, 1963
Untitled, 1963
To Susan Buckwalter, 1964
To Dave Shackman, 1964
Untitled, 1965
Untitled, 1965
Untitled, 1965
Untitled, 1966
Untitled, 1966
Untitled, 1966
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Untitled, 1967
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Untitled, 1971
Untitled, 1975
Untitled, 1975
Untitled, 1977
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Untitled, 1978
Untitled, 1984
Untitled, 1984
Untitled, 1985
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Untitled, 1986
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Untitled, 1987
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Untitled, 1990
Untitled, 1991
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Untitled, 1992
Untitled, 1992
Untitled, 1992
Untitled, 1992
Untitled, 1993