The eleven paintings that Donald Judd installed at the Cobb House, including this one, all date from between 1956 and 1958. Judd exhibited paintings from the same period in two shows at the Panoras Gallery in New York, Don Judd and Nathan Raisen (September 4–15, 1956) and Don Judd (June 24–July 6, 1957).
A review in ARTnews in summer 1957 described the paintings in Don Judd as “bring[ing] orderly, quiet abstractions to his first one-man show. Purposefully dark greys, greens or speedwell blue and ochers fill definite shapes placed over the canvas like rocks over a field in a landscape.”1
In her essay in Judd’s 1975 catalogue raisonné, Roberta Smith wrote of the abstract forms in these paintings, “The irregular shapes themselves are difficult to describe and look as if Judd took great care to make them that way.”2 Although Judd stopped painting after 1962, painting informed the rest of his career as an artist: “My thought comes from painting even if I don’t paint.”3