The eleven paintings that Donald Judd installed at the Cobb House, including this one, all date from between 1956 and 1958. Judd exhibited paintings from the same period in two shows at the Panoras Gallery in New York, Don Judd and Nathan Raisen (September 4–15, 1956) and Don Judd (June 24–July 6, 1957).

A June 1957 review in Arts Magazine of Don Judd noted that the paintings “have a generally German post-Expressionist frugality, somewhat brutal in their denial of all qualities but those of thrust and space, but there’s a good resonance to the color.”¹

In her essay in Judd’s 1975 catalogue raisonné, Roberta Smith wrote of the abstract forms in these paintings, “The irregular shapes themselves are difficult to describe and look as if Judd took great care to make them that way.”² Although Judd stopped painting after 1962, painting informed the rest of his career as an artist: “My thought comes from painting even if I don’t paint.”³

¹ V.Y., “In the Galleries,” Arts Magazine, June 1957, 58.

² Roberta Smith, “Donald Judd,” in Donald Judd: Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960–1974, ed. Brydon Smith. Exh. cat. (Ottawa: National Gallery of Canada, 1975), 8.

³ “Interview: Kasper König und Donald Judd,” in Donald Judd: Für Josef Albers, exh. cat. (Bottrop: Moderne Galerie Bottrop, 1977), 5. English transcript, Judd Foundation Archives, Marfa, Texas.